Call it Autumn. Call it Fall Does it Matter?
Either way, it's coming 'round again, full of football, pumpkins, falling leaves and memories. Here are are some poems, offered for your autumn reading by The Academy of American Poets.
- "That time of year thou may'st in me behold" by William Shakespeare
- "Spring and Fall" by Gerard Manley Hopkins
- "Autumn Begins in Martins Ferry, Ohio" by James Wright
- "Pastoral" by Jennifer Chang
- "Besides the Autumn poets sing (131)" by Emily Dickinson
- "Beyond the Years" by Paul Laurence Dunbar
- "To Autumn" by John Keats
- "Autumn" by Amy Lowell
- "Autumn Poem 2012" by Hoa Nguyen
- "Nommo in September" by Hannah Sanghee Park
- "The Shapes of Leaves" by Arthur Sze
Scroll down and read about the poet. Be sure to check the "Related Poems" links on each page.
And check out the following topics:
Write a poem that is six to sixteen lines long and contains no grammatically complete sentences.
If you want, you can punctuate fragments as complete sentences.
Make your final poem six to sixteen lines long. Consider dividing it into two or more stanzas.
-- the no praise/no blame method
Revision means re-seeing — looking again with fresh vision at what you've previously made. And since we're talking poetry, we might also consider "re-auditing" — re-hearing — the words.Read more ...
As you read, write, and discuss poetry, you'll begin to think about language and communication in new ways. In a poem, for instance, a decision on word choice may depend as much on sound as on meaning. A sharp visual image may resonate with political or spiritual implications. And memorable phrases can be woven into haunting incantations.
The ideas and suggestions in this section introduce some key concepts for readers and writers of poetry.