Imagine ● Create ● Connect
— through metaphor to reconcile
In Memoriam — Robin Williams
He lived life so fully and shared his gifts so generously. He left us so many great moments to remember. Here is one from Dead Poets Society, for all poetry lovers.
America's New Lightning Rod
Charles Wright, America's newly appointed Poet Laureate, succeeds Natasha Tretheway, as "the nation's official lightning rod for the poetic impulse of Americans." The author of many poetry collections and the winner of The Pulitzer Prize, The National Book Award and many other honors, Wright brings a lifetime of of writing, teaching and living poetry to the role. For an introduction to his work, read an essay on his early poetry by Poetryexpress creator, Chuck Guilford.
Poetry in Motion Contest
Dakota Wixom of the Vancouver School of Arts and Academics has started a new contest called "Poetry in Motion." The idea of the contest is that people will submit poems under 100 words, and the winning submission will be turned into an animation. See one of Dakota's poetry videos.
Submissions welcome: http://www.allthingsmotion.net/contests/
Prose writers shouldn't have all the fun of storytelling. Sure, essays, short stories, and novels are where we expect to find stories, but poems also can tell stories effectively. From the earliest epics, right up to the present day, people have built poems from stories--sometimes fictional, sometimes true. Gary Snyder's "Hay for the Horses" is a poem that tells a story, as are William Stafford's, "Traveling Through the Dark," Robert Frost's "Out, Out--," and William Wordsworth's "Strange Fits of Passion I Have Known."Read more...
Publication can take many forms. The refrigerator door is a good place to start. Or you could print out a copy and tape it to the wall above your desk, where you and your visitors can read it. Better yet, start a Blog on this site and publish here.Read more...
A poem's form is partly visual: its look on the page. George Herbert's "Easter Wings" is an example of striking visual form, as is e. e. cummings' "r-p-o-p-h-e-s-s-a-g-r." But visual form also works in less obvious ways. The lean, spare look of most Emily Dickinson poems complements her terse style, while the long, sweeping lines of Walt Whitman accentuate his bold, expansive message.Read more...
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